“I’m interested in the person I photograph…The world is so beautiful as it is, there’s so much going on which is sort of interesting. It’s just so crazy, so why do I have to put some retouching on it? It’s just pointless to me.”
I have a hate-to-love relationship with Juergen Teller. His work first caught my eye when I was fifteen and in Europe for the first time. I saw this picture plastered everywhere

I didn’t find out until much later that it was taken by Teller, but now I’ll always associate the photographer with my adoration of European culture and open-minded idealism, particularly regarding sexuality and the naked body.
Although his brand of photography has gone on to inspire contemptible club kid ‘snapshots’ and American Apparel ads, his images are always compelling, albeit in that purposefully ironic, perfectly imperfect way. Teller seems more concerned with the feeling of a picture than the look of it, and in my beauty-obsessed mind I too often disparage—unconsciously—the value of an emotional response over a limpid aesthetic reaction.
Dick Page and husband James Gibb, photographed by Teller for Marc Jacobs.

Solange Wilvert atop the Opéra Garnier, photographed by Teller for Yves Saint Laurent.